Calvert Vaux
Calvert Vaux FAIA (/vɔːks/; December 20, 1824 – November 19, 1895) was an English-American architect and landscape designer, best known as the co-designer, along with his protégé and junior partner Frederick Law Olmsted, of what would become New York City's Central Park.
Calvert Vaux | |
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Born | |
Died | November 19, 1895 70) | (aged
Nationality | British (at birth) and American (after naturalization in 1856). |
Occupation | Architect |
Spouse | Mary Swan McEntee |
Children | Calvert Downing Helen Julia |
Practice | 1850–1895 |
Buildings | Dr. William A. M. Culbert House Daniel Parish House Halsey Stevens House W. E. Warren House Sheppard Asylum Ammadelle Frederico Berreda House Belvedere Castle Olana Metropolitan Museum of Art |
Projects | Central Park Prospect Park Buffalo Parks System Hudson River State Hospital Samuel J. Tilden House Downing Park Rockwood Park, Saint John |
Vaux, on his own and in various partnerships, designed and created dozens of parks across the northeastern United States, most famously in New York City, Brooklyn, and Buffalo. He introduced new ideas about the significance of public parks in America during a hectic time of urbanization. This industrialization of the cityscape inspired Vaux to focus on an integration of buildings, bridges, and other forms of architecture into their natural surroundings. He favored naturalistic and curvilinear lines in his designs.
In addition to landscape architecture, Vaux was a highly-sought after architect until the 1870s, when his modes of design could not endure the country's return to classical forms. His partnership with Andrew Jackson Downing, a major figure in horticulture, landscape design, and domestic architecture, brought him from London to Newburgh, New York, in 1850. There, Downing's praise of Gothic Revival and Italianate architecture contributed to Vaux's personal growth as a designer of homes and landscapes. After Downing's sudden death in 1852, Vaux was left with their assistant Frederick Clarke Withers to continue Downing's legacy. He left Newburgh in 1856 to grow his practice in New York City, where he began, received, and completed commissions with Olmsted, Withers, and Jacob Wrey Mould. As a result, Vaux's name was frequently overshadowed by other designers, such as Olmsted, yet the contemporary American public still recognized his talents.